In the process of appraisal of ancient furniture , many experts and scholars have highly praised the "bag" identification method. Some people even put the "bag" in his mouth, and the "bag" seems to be a panacea for identifying ancient furniture . In this regard, Mr. Ma Weidu pointedly pointed out: there is no so-called panacea for the identification of ancient furniture, and the "bagging identification method" is no exception.
Strictly speaking, the word "bag" is not in the dictionary. Some people write it as "treasure pulp" and others write it as "preservation pulp". Regardless of how it is written, the term probably originated from the carpenter of Beijing. Judging by the teachers of the Luban Furniture Museum in Beijing, which has already passed away, called it "treasure", it can be understood as "shining like a gem". "Slurry" can also be understood literally as "wrapped with a layer of slurry". In the old days, the exquisite people had to wash their clothes, and they had to squeeze the clothes again to keep them clean. Southerners do not say "bagging", but rather "shell". The name of the leather shell harmed the northerners. The northerners literally thought that "skin" should be a very thick layer of material, because that is the original meaning of "shell". However, southerners do not have as strong a knowledge of "shells" as northerners.
Regardless of "bag" or "skin", it has almost become the spoken language of merchants and collectors. Regardless of whether they really understand it, everyone talks about "bagging" and "skin" with great interest. It seems that the secret of collecting ancient furniture lies here. In fact, the use of words to express the encapsulation (skin) should be interpreted as a long-term use of ancient furniture and good materials. Because it has been placed in the air for a long time, an oxide layer with keratin characteristics is formed on the surface. This shows that the slurry is not related to dirt. It is a pity that most people currently treat dirt as a paste, and they are reluctant to clean the dirt after buying furniture. Many new collectors, looking at the dirty baby furniture, are always uncomfortable, but they dare not clean it, for fear of washing it. In this regard, Mr. Ma Weidu solemnly pointed out: It can be said very responsibly that a piece of real antique furniture is not new, no matter how you wash it. If it is new after washing, it must be a fake. In the past, a piece of antique furniture was handed, and the first thing the collectors did was to clean it. Boil a pot of caustic soda to remove dirt, then repair and wax it, and re-maintain it. But now the situation is that people dare not clean the old furniture and leave it covered with dirt at home.
Here, we suggest that every collector, if given the opportunity, can go to the big museums around the world to take a look at the Chinese classical furniture displayed there. You will find that they are all clean and clean without exception. Tell the audience about the elegant and civilized life of the ancient Chinese. And the Chinese classical furniture that has set sky-high prices in major auction houses all over the world is spotless without exception. We ourselves are in the hometown of Chinese ancient furniture, but we erroneously erroneously erroneously say that the dirt on the ancient furniture is a mistake. This undoubtedly gives the counterfeiters a great opportunity.
Now all the counterfeiters seem to have mastered the psychology of collectors, and they have worked hard on the so-called "bagging" of furniture. Because the pudding they understand is exactly what they want to do. In recent years, no matter in the north and the south, there are many ways for counterfeit masters to use pudding to disguise the truth and confuse the fish with their eyes. Even if they are masters of the masters, it takes time to observe to get a correct judgment. On the contrary, the clean old furniture is very easy for masters to judge, with repairs and fittings at a glance. Experts are willing to identify clean furniture. The process is simple and the conclusion is accurate. This is the reason.
The ability to identify the authenticity of classical furniture encapsulation will take some time to hone. When observing, there are a few points to note: (1) Observe the wood texture, whether the color is natural. If the wood is repaired, there will be more or less differences in texture and color. In addition, when repairing and falsifying, it is often necessary to dye, so you should observe whether the color of the furniture is caused by dip dyeing. (2) Pay attention to the weathering degree of the furniture surface. The different conditions of furniture use, the degree of weathering will also be different. Even if the same piece of furniture leans against the wall and the front, there will be differences in the degree of weathering above and below. To observe whether this difference is natural, you should be careful if you find any traces. Because the weathering of wood is the result of long-term use, it cannot be changed by humans. (3) Pay attention to joints such as seams and corners. Many counterfeit furniture will stay for a few more days, and these places will shrink and expose new stubble, thus making counterfeiters unpredictable. This method is particularly effective in the northern regions.
It can be seen from this that the "bagging" identification method is one of the effective means of identifying ancient furniture. But not absolute, let alone superstition!
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